OST Heading To The Ground - No Limit

Judul: OST Heading To The Ground - No Limit
Bahasa: Korea
Genre: Pop/ Ballad/ Instrumental
Artist: Various

Tracklist
01. Run! - Mic Pink [download]
02. It's Love - Taeyeon & Sunny (SNSD) [download]
03. Look At The Sky - Buga Kingz [download]
04. Motion - SNSD [download]
05. Always - Park Sang Woo [download]
06. Na Na Na - Mic Pink [download]
07. Like it, Like It - Annie [download]
08. I... - Lee Hyun Wook [download]
09. I Run - Oh Joon Sung [download]
10. Cha Bong Gun, Fighting! (Singing) - Oh Jung Soon [download]
11. The Feeling of Love - Oh Jung Soon [download]
12. Potato - Oh Jung Soon [download]
13. Always By Your Side - Oh Jung Soon [download]
Full Album >>> [download]

DO NOT COPY-PASTE OR HOT LINK!!!

JUST FOR SHARING, NO COMPLAIN AND ASKING~ THANK YOU~

Author by ex-maknae

[Lyric] Sung Joon - Wake Up OST Shut Up Flower Boy Band Part 4

Download OST Shut Up Flower Boy Band

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 

jidokhage tteugoun teyang pihaji ankesso

Aku tidak akan menghindari panasnya terik matahari

gochin baramsoge nareul matginche

Mempercayakan diriku ke dalam angin keras

Run for you I wake up

Berlari padamu, aku terbangun

Love for you I wake up

Cinta untukmu, aku terbangun

A song for you I wake up

Sebuah lagu untukmu, aku terbangun

barojigeum Wake up

Sekarang bangun

Run for you I wake up

Berlari padamu, aku terbangun

Love for you I wake up

Cinta untukmu, aku terbangun

A song for you I wake up

Sebuah lagu untukmu, aku terbangun

barojigeum Wake up

Sekarang bangun

kkeunhojildeut wihomhan brake chain ijen piryo obso

Aku tidak butuh rantai berbahaya yang meletup

gajang ppareugo bitnage dallil ppun

Aku hanya berlari bagai cahaya secepat yang aku bisa

Run for you I wake up

Berlari padamu, aku terbangun

Love for you I wake up

Cinta untukmu, aku terbangun

A song for you I wake up

Sebuah lagu untukmu, aku terbangun

barojigeum Wake up

Sekarang bangun

Run for you I wake up

Berlari padamu, aku terbangun

Love for you I wake up

Cinta untukmu, aku terbangun

A song for you I wake up

Sebuah lagu untukmu, aku terbangun

barojigeum Wake up

Sekarang bangun

Run for you I wake up

Berlari padamu, aku terbangun

Love for you I wake up

Cinta untukmu, aku terbangun

A song for you I wake up

Sebuah lagu untukmu, aku terbangun

barojigeum Wake up

Sekarang bangun

Run for you I wake up

Berlari padamu, aku terbangun

Love for you I wake up

Cinta untukmu, aku terbangun

A song for you I wake up

Sebuah lagu untukmu, aku terbangun

barojigeum Wake up

Sekarang bangun

Source: Chokollit @ cassieva

shared: Vee@n @ pelangiofmusic.blogspot.com

[Lyric] Lee Min Ki – Not In Love OST Shut Up Flower Band

Download OST Shut Up Flower Band 

 Lee Min Ki – Not In Love

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I saw your picture hangin’ on the back of my door

Kulihat gambarmu tergantung di belakang pintuku

Won’t give you my heart

Takkan memberimu hatiku...

No one lives there anymore

Tak ada lagi yang tinggal di sana

And we were lovers

Dan dulu kita adalah kekasih

Now we can’t be friends

Sekarang kita tidak bisa berteman

Fascination ends

Pesona berakhir

Here we go again

Kita mulai lagi

Oh

Cause it’s cold outside when you coming home

karena di luar dingin, saat kau datang ke rumah

Cause it’s hot inside isn’t that enough

karena di dalam panas, apakah itu tidak cukup?

I’m not in love

Aku tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

Could it be that time has taken it’s toll

Mungkinkah waktu telah mengambil bayarannya?

Won’t take you so far I am in control

Tak akan membawamu terlalu jauh, aku dalam kendali

And we were lovers

Dan dulu kita adalah kekasih

Now we can’t be friends

Sekarang kita tidak bisa berteman

Fascination ends

Pesona berakhir

Here we go again

Kita mulai lagi

Cause it’s cold outside when you coming home

karena di luar dingin, saat kau datang ke rumah

Cause it’s hot inside isn’t that enough

karena di dalam panas, apakah itu tidak cukup?

I’m not in love

Aku tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

We are not in love

Kita tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

Cause it’s cold outside when you coming home

karena di luar dingin, saat kau datang ke rumah

Cause it’s hot inside isn’t that enough

karena di dalam panas, apakah itu tidak cukup?

I’m not in love

Aku tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

I’m not in love

Aku tidak sedang jatuh cinta

We are not in love

Kita tidak sedang jatuh cinta

We are not in love

Kita tidak sedang jatuh cinta

We are not in love

Kita tidak sedang jatuh cinta

We are not in love
Kita tidak sedang jatuh cinta

We are not in love

Kita tidak sedang jatuh cinta

Source: Chokollit @ cassieva

shared: Vee@n @ pelangiofmusic.blogspot.com

[Single] I Love You - 2NE1

Kangen dengan comebacknya 2NE1, akhirnya setelah satu tahun muncul juga yang aku tunggu-tunggu. single ini sudah menemaniku beberapa hari ini. Seperti dugaanku lagunya tidak mengecewakan. tetep asik tuk didengar ditelinga. Kini saatnya berbagi..
Download single I Love You - 2NE1 (3,7 Mb)
Download MV I Love You - 2NE1 (20,6 Mb)

[CL] When you feel like there’s no way out

Ketika kau merasa seperti tidak ada jalan keluar

Love is the only way

Cinta adalah satu-satunya cara

[Minzy] Geudae nayegeman jarhejwoyo
Jadilah baik hanya padaku
Hangsang nayegema usojwoyo
Tersenyumlah hanya padaku
[CL] I said ooh~ jiltuhage haji mayo
Aku bilang Ooh~ Jangan buat aku cemburu
Ooh jipchaghage haji mayo
Ooh~ Jangan buat aku menjadi terobsesi padamu

[Minzy] Ajik nan sarangi duryeowoyo
Aku masih takut dengan cinta
Ireon naege mideum-eul jwobwayo
Jadi, buatlah aku percaya padamu
[CL] I said ooh~ jiltuhage haji mayo
Aku bilang Ooh~ Jangan buat aku cemburu
Ooh jipchaghage haji mayo
Ooh~ Jangan buat aku menjadi terobsesi padamu

[Bom] I love you (I love u) uh uh uhu…
Aku mencintainmu uh uh uh...
I love you (I love u) uh uh uhu…
Aku mencintainmu uh uh uh...

[Dara] Haru jongil geudae moseup jakku tteo-olla
Sepanjang hari, aku terus berpikir tentangmu
Onjongil olliji ahneun jeonhwagiman tto jyeodabwa
Sepanjang hari, aku hanya menatap handphone-ku yang tidak berdering
[Minzy] Wae ireon nae mameul ajik molla
Mengapa kamu masih tidak tahu hatiku menjadi seperti ini?
Nan neoui ma-eumeul ajik jal molla
Aku pun masih tidak tahu hatimu

[Dara] Neoui saengage bamen jamdo mut iruda
Aku tidak bisa tidur karena memikirkanmu
Dalbiche geudaereul tteo-ollamyeo nae mam gubaekhaebwa
Aku memikirkanmu di bawah sinar bulan dan aku mencoba mengakui apa yang kurasakan
[CL] Wae ireon nae mameul ajik molla
Mengapa kamu masih tidak tahu hatiku menjadi seperti ini?
Nan neoui maeumeul ajik jal molla Look at me now
Aku pun masih tidak tahu hatimu

[Bom] Nae mameul barabwayo
Lihatlah hatiku
Ireohke aetaneunde
Membara seperti ini
Jigeum nal jabajwoyo
Kumohon genggam aku sekarang
Nutgi jeone eh eheheh
Sebelum terlambat Eh Eh-Eh-Eh

[Dara] I love you (I love u) uh uh uhu…
Aku mencintainmu uh uh uh...
I love you (I love u) uh uh uhu…
Aku mencintainmu uh uh uh...

[CL] Mamchuji mayo sarang nurae
Jangan hentikan lagu cinta ini
Matjin neol wihae bulleojulge Everyday
Aku akan menyanyikannya untukmu setiap hari
I say yeah yeah yeah yeah yeah yeah
Aku bilang yeah yeah yeah yeah yeah yeah
I say yeah yeah yeah yeah yeah yeah
Aku bilang yeah yeah yeah yeah yeah yeah

[Minzy] Meomchuji mayo sarangui Dance
Jangan hentikan tarian cinta ini
I-bameul geudaewa bonaego shipeundae
Aku ingin menghabiskan malam ini denganmu
Aku bilang yeah yeah yeah yeah yeah yeah
I say yeah yeah yeah yeah yeah yeah
Aku bilang yeah yeah yeah yeah yeah yeah

[Bom] Nae mameul barabwayo
Lihatlah hatiku
Ireokhe aetaneunde
Membara seperti ini
[CL] Jigeum nal jabajwoyo
Kumohon genggam aku sekarang
Nutgi jeone eh eheheh
Sebelum terlambat Eh Eh-Eh-Eh

[Bom] We can’t go wrong,
Kita tidak bisa salah
[Dara] Bring it back
Bawa kembali

[Bom] Milgo danggijineun malajwoyo
Jangan bermain kucing dan tikus denganku
Uri jogeumman soljikhaejweoyo
Ayo jadilah lebih jujur lagi
[Minzy] I said ooh jiltuhage haji mayo
Aku bilang Ooh~ Jangan buat aku cemburu
Ooh jipchaghage haji mayo
 Ooh~ Jangan buat aku menjadi terobsesi padamu

[Dara] Odiseo mu-eol halkke gong-geumhaeyo
Aku penasaran dimana kamu berada dan apa yang sedang kamu lakukan
Hokshi ireon naega jwichanhnayo?

Apakah kamu kesal dengan aku yang begini?
[CL] I said ooh jiltuhage haji mayo
Aku bilang Ooh~ Jangan buat aku cemburu
Ooh jiltuhage haji mayo
angan buat aku menjadi terobsesi padamu

[CL] I love you everyday
Aku mencintaimu setiap hari

Don’t get away
Jangan lari dariku
Take me away
Bawa aku pergi
I love you everyday
Aku mencintaimu setiap hari
In everyway
Dimanapun
Neol saranghae
Aku mencintaimu

[Minzy] Wae ireon nae mameul ajik molla
Mengapa kamu masih tidak tahu hatiku menjadi seperti ini?
Nan neoui maeumeul ajik jal molla
Aku pun masih tidak tahu hatimu

[Bom] I love you everyday
Aku mencintaimu setiap hari

Don’t get away
Jangan lari dariku
Take me away
Bawa aku pergi
I love you everyday
Aku mencintaimu setiap hari
In everyway
Dimanapun
Neol saranghae
Aku mencintaimu

[CL] Wae ireon nae mameul ajik molla
Mengapa kamu masih tidak tahu hatiku menjadi seperti ini?
Nan neoui maeumeul ajik jal molla
Aku pun masih tidak tahu hatimu


source: kpoplyrics.net
shared by: Vee@n @ pelangiofmusic.blogspot.com

The Human Jukebox and the Unfamiliar

I went to a concert that was a first for me last night - a mainstream stadium pop concert. Paul Simon played at the O2 arena in Dublin and my good friend and great percussionist Jamey Haddad was playing in the band and comped me.

I should say at the outset here that I have absolutely no feeling for pop or rock music whatsoever – of almost any type. Somehow (probably because of my childhood, surrounded by jazz and classical), pop music passed me by. In my late teens I had a fleeting interest in Cream, and then progressive rock for a while (King Crimson mostly), but otherwise no interest, and certainly nothing that lasted. Between cassettes, LPs, CDs and Mp3s, I have over 3000 recordings in my home and not one of them is a pop or rock music recording. It does nothing for me and even the guys that a lot of jazz guys like – Sting, Bowie etc etc – leave me cold.

I do like the Beatles and admire their craft and the originality. And, (much to the surprise of many people who know me when they find out), I also like Burt Bacharach, whom I consider to be a real craftsman with a very original and identifiable style. But otherwise pop music does nothing for me. It’s not a value judgement (though sometimes it is – Justin Bieber! Lady GaGa!), it’s just personal. Pop music has no meaning in my life, doesn’t remind me of my youth, doesn’t connect me to people or places or things etc. etc. in the way that it does most people.

So, given my background and lack of empathy with all things pop and rock, it was hardly surpassing that this was my first time at a concert on this scale  - 14,000 people packed into the venue, seat prices starting at €56 rising to over €150 for the seat I was in, close to the front of the stage. And I must say I found the whole thing to be very interesting - I felt dispassionate, (if admiring of the professionalism and skill of the musicians), about the music, but interested in the vibe and general demeanor of everyone.

First of all it has to be said that Simon surrounds himself with very good musicians, most of whom play more than one instrument very well. Secondly it has to be said he does put on a very good show - the pieces go seamlessly between each other and clearly a lot of thought is given to pacing and making sure the show keeps rolling along. And it's a long show too - over two and a half hours without a break, and Simon has great energy and stamina which belies his 70 years. He's also a total pro - never slips up once, sings both in tune and pretty strongly for the whole concert. His only mis-step is when he occasionally breaks out some ill-judged dance moves, reminding one of an embarrassing elderly relative doing some 'hip' dancing at a wedding........

The music itself is a parade of his hits spanning almost 50 years, and of course the audience lapped it up. I was fairly familiar with about half of the pieces, less familiar with others, and totally unfamiliar with  the rest. In the first section of the concert, (before the African contingent arrives for the 'Gracelands' section), I'm struck by the amount of Americana in the music - overtones of country music, Cajun, blues etc. Simon seems to use all of these influences as backdrops to his songs, just as he does with the African music in the latter part of the concert.

Again, though I'm impressed by the professionalism, I'm unmoved by the music, but quite honestly, I was never expecting to get into it, and as someone with no familiarity or empathy for this kind of music, I'm not in any position to say whether this was a good performance by Simon's standards or not. I suspect, that as someone who has spent so much time at the top of his end of the business, he delivers a similar professionally well paced show every night.

But in my lack of response to the music, I was clearly in a minority of one in the auditorium - the audience adored it, cheering the opening bars of every familiar tune, singing along at certain points, and rushing the stage at the end when the opening chords of 'You Can Call Me Al' break out. But it's all quite sedate stage rushing, as the audience age profile is not one that would encourage any kind of physical activity that might create a need for a hip replacement after the gig......

And as I watched the adoration of Simon and the songs, I realized again, (and this is really the point of this blog), that what 99% of people want is something they know, and preferably something they can sing along to. What they don't want is the unfamiliar. The audience may all have loved Paul Simon, but if he had gone out there last night and played a whole evening of new music they probably would have rushed the stage. What most audiences want from a  concert, ultimately, is a human jukebox - someone who will regurgitate the hits, and give everyone a good night out and a sing-along. And there's nothing wrong with that.

But where does that leave those of us whose milieu is improvised music? In a tiny minority, that's where. One thing I realized a while ago, is that most people, as far as music is concerned at least, don't really like improvisation. They like what they know, not what they don't know. In most music performances audiences want a confirmation of what they like, a parade of familiarity - it's comforting and often celebratory, particularly so when (like the Simon concert I was at), it's experienced with a large crowd of others, all of whom are equally enamored of the music on display. But in improvised music, the audience is invited to participate in the unfamiliar, to experience the process of music creation rather than be presented with a comfortingly familiar result.

It should be noted that this love of the familiar is not confined to lovers of pop music, it's part and parcel of classical music too (where not even one note can be changed by the performer), and is not unknown among jazz fans. Jazz fans, and musicians, can also make demands of performers that they conform to some agreed norm that reinforces the audience members understanding of what jazz is. The comfort of the familiar is a requirement of some jazz listeners too -  improvised music doesn't always have the automatic support in the jazz community that one would imagine

Improvised music will never have the support and popularity that non-improvised music attracts, but it has qualities too that non-improvised music will never have. Last night at Paul Simon's gig everything was as carefully choreographed as any classical performance, there was no room for the spontaneous creative input of the musicians - everything was at the service of Paul Simon's songs and the requirement of the audience to hear the familiar. And I missed the creative input of the musicians, the sense that anything could happen at anytime, which is a quality I find tremendously attractive in music. At a pop or classical concert, you will never experience that moment where you know something has happened that never happened before and will never happen again in that precise way. This is the unique quality of improvised music, for both musician and listener, and has tremendous value, even if most of the 14,000 people in the O2 arena last night wouldn't have thanked anyone for it had it happened.

The human jukebox may be a comforting place to be for both performer and listener, but it's a place where you will never experience anything like this........

[Lyric] Super Junior - From You

Haalooo semua!! Perkenalkan, namaku Lui, author dadakan di Pelangi of Music.. Biasanya sih nulis sinop & news di Pelangi Drama. Gegara Author Rizky tidak memungkinkan jika harus nulis lirik semua lagu di album ke-6 Suju (bukan tidak mungkin aku masih berfikir melakukannya, tapi karena ada drimu gak masalah -Rz), jadilah aku menawarkan diri nulis lirik. Aku belum termasuk ELF, tapi aku udah mulai nge-fans dengan Suju... hehehehehe...

Dan di album ini aku suka dengan lagu From You, jadi aku nulis lirik lagu ini.. Semoga kalian menikmati hasilku yang pertama... Gomawo.. ^^. (omo luisa sering - sering aja aku menerima dengan tangan terbuka hehehehe -Rz)

This song is dedicated to the world's biggest fan club
Lagu ini untuk fans club terbesar di dunia
The "ELF", my girls, my angels.
ELF, gadis-gadisku, malaikat-malaikatku.

Urin, su nyeon jeone cheoeum manna cheot nune sarange ppajyeobeoryeotgo
Kita, bertemu pertama kali beberapa tahun lalu dan langsung jatuh cinta
Baby, naega eodil gadeun machi geurimjacheoreom nae gyeote seo itgo
Sayang, ke mana pun aku pergi, kau selalu di sampingku seperti bayanganku
Saranghandaneun ge ttaeron jeungmyeonghal ge neomu neomu manha
Dari waktu ke waktu, banyak hal yang buktikan cinta kita
Apeul ttaeedo naega muneojil ttaedo geunyeomani naege nama inneungeol
Saat aku sakit, bahkan tak bisa bangun, dialah satu-satunya yang di sampingku

*Baby baby baby baby baby uri jeoldae heeojiji malja
Sayang sayang sayang sayang sayang, jangan pernah kita berpisah
Oh my lady lady lady lady lady naega jeongmal neoreul saranghanda
Oh gadisku gadisku gadisku, aku benar-benar mencintaimu
Shawty shawty shawty shawty shawty ojik neoya nareul seontaekhan geon
Shawty shawty shawty shawty shawty, hanya kau, satu-satunya yang kupilih
Naui nunmulkkajido, jageun misokkajido.. Ani?
Tangisanku, air mataku... Tahukah kau?
Neorobuteo oneungeoya
Semua karenamu..

Naega neoui sogeul neomu manhi sseogyeoseo beolsseo neulgeo beoryeotdae geureon mal hajima
Jangan pernah katakan bahwa aku membuatmu semakin tua karena rasa khawatirmu pada diriku
Amuri bwado naegen neomankeumman yeppeun saram jeoldae sesange tto eobseo (geureon maldo hajima)
Bagaimana pun, bagiku tak ada yang lebih cantik daripada dirimu (jangan pernah katakan lagi)
I don't know why you keep staying with me. Tto nan nege neomu mojaraseo mianhae
Aku tak tahu mengapa kau tetap bersamaku. Aku minta maaf karena aku meremehkanmu
Geujeo mideobwa. Naega naega jalhalge
Percayalah padaku. Aku akan berubah.

*Baby baby baby baby baby uri jeoldae heeojiji malja
Sayang sayang sayang sayang sayang, jangan pernah  kita berpisah
Oh my lady lady lady lady lady naega jeongmal neoreul saranghanda
Oh gadisku gadisku gadisku, aku benar-benar mencintaimu
Shawty shawty shawty shawty shawty ojik neoya nareul seontaekhan geon
Shawty shawty shawty shawty shawty, hanya kau, satu-satunya yang kupilih
Naui nunmulkkajido, jageun misokkajido.. Ani?
Tangisanku, air mataku... Tahukah kau?
Neorobuteo oneungeoya
Semua karenamu..

Neobakke eopdan mari neomu ppeonhae boyeodo eotteoke nae maeumeul boyeo jugenni
Bahkan kata-kata 'tak ada yang kumiliki selain kau' terdengar bohong, bagaimana aku menunjukkan isi hatiku?
Uri ssaul ttaedo itgo miwojukgetda malhaedo ne gaseumeun imi algo itjannni
Walau kita pernah bertengkar, saat kita berkata saling benci, tidakkah hatimu sudah tahu?

Neorang na duri joheun geotman gachi bogo gachi meokgo gachi jeulgyeo deutgo ulgo utgo areumdapgiman haetdeon naldeul
Hari-hari indah, hal-hal biasa seperti kita selalu bersama, makan bersama, mendengar bersama, menangis bersama, tertawa bersama
Naega muneojiji anke mideojugo gyeoteul jikyeojwoseo gomapda jeongmal gomawo
Terima kasih kau ada di sampingku, percaya bahwa aku tidak akan jatuh, terima kasih

*Baby baby baby baby baby uri jeoldae heeojiji malja
Sayang sayang sayang sayang sayang, jangan pernah kita berpisah
Oh my lady lady lady lady lady naega jeongmal neoreul saranghanda
Oh gadisku gadisku gadisku, aku benar-benar mencintaimu
Shawty shawty shawty shawty shawty ojik neoya nareul seontaekhan geon
Shawty shawty shawty shawty shawty, hanya kau, satu-satunya yang kupilih
Naui nunmulkkajido, jageun misokkajido.. Ani?
Tangisanku, air mataku,,, Tahukah kau?
Neorobuteo oneungeoya
Semua karenamu..
dilgomapgo saranghanda
Selalu, terima kasih dan aku mencintaimu

Source :kpoplyrics.net
shared by: Lui@pelangiofmusic.blogspot.com
Edited by: Rizky @pelangiofmusic.blogspot.com


ヽ(○´∀`)ﾉ♪

More Thoughts on Jazz Education, Art, Craft, and Entitlement

(Dave Liebman speaking to students and teachers at the IASJ Meeting in Graz)

Some recent thoughts on jazz education, prompted by attending the 2012 IASJ Meeting

I’ve spent the past week at the International Association of Schools of Jazz annual meeting in Graz in Austria. I’ve written before about what goes on at the IASJ meetings and what a buzz it is, and this year was no exception. Last year it was in Brazil, and this year in Austria so naturally the vibe of the location was quite different, but the camaraderie of the musicians – teachers and students alike – was as strong as ever. At a time when institutionalised jazz education as an idea is again under scrutiny, it was interesting and thought provoking to be part of this meeting and once again my feelings on the positive benefits of jazz education were both confirmed and reinforced.

I attended the meeting that saw the foundation of the IASJ  - an organization which was the idea of the Artistic Director Dave Liebman – in 1989, and have attended 20 of the 22 meetings so far. Being part of the IASJ was invaluable to our school in Dublin, which at the time of the foundation of the IASJ, was just beginning to take its first steps towards putting in place some fulltime jazz programmes, which culminated in us offering a BA in Jazz Performance, and a 2-year fulltime programme with transferring credits in Berklee College of Music in Boston. Being part of the IASJ and attending the meetings gave me an insight into what was involved in the setting up and running of a real jazz programme, the kind of subjects which should be covered, how the materials were most effectively taught, and the pedagogical philosophy underpinning the teaching of jazz. The meetings themselves, in which teachers and students from all over the world come together to play, hang, and discuss music, are fantastic giving everyone involved a great fillip and a chance to meet their colleagues from all over the world.

During the meeting there are regular meetings between teachers and school administrators that discuss pedagogical issues  and current issues related to the teaching of jazz in institutions. Usually these meetings catch the zeitgeist of current concerns among the jazz community as it relates to education, and this year was no exception.

 (Outdoor student concert in Graz)

Art, Craft and 'The Gig'

This year there was much discussion of the employability, or otherwise, of graduating students from jazz programmes. In the US in particular, the financial practicality of undertaking a jazz education in an institution is definitely an issue – how can someone who spends more than $100,000 on their education have any hope of making that back? The situation is somewhat different in Europe in that education is much cheaper so the ratio of education cost to possibilities of recouping that cost is more realistic. But it’s tough for jazz musicians in Europe as well and questions of how and what jazz schools should be teaching are both timely and apposite.

But despite agreeing with the principal of helping students to equip themselves with the tools to operate as professional musicians (music business courses, technology courses, entrepreneurship courses etc.) I feel we are in danger of losing sight of what it is that we (high level jazz schools) do best – teach the art and craft of playing improvised music. The economic situation being what is, jazz schools are under more threat than ever before from both market forces, and pressure, (from the school authorities themselves) to respond to market forces. The response to this has in my opinion, begun to become skewed in that I notice a trend to almost apologise for teaching jazz, and a trend towards viewing the business aspects of the programme as being the most valuable thing you can teach.  

But the reality is that many non-jazz schools offer music business and technology courses, and the vast majority of private music schools focus on the more commercial and business related aspects of music education.  For example, here in Dublin my school is the only one that offers full time jazz education and high level training in non-classical music performance. If we were to change our focus to offer separate courses in music business, music technology or writing for Gaming, then we’d immediately be in competition with at least 10 other schools in the Dublin area alone.

It’s the high level performance training that set jazz schools apart from all the other music schools. Only classical conservatoires offer similar high level performance training, and they are far more specialised than jazz schools, training musicians who are unsuited to almost any other form of musical employment other than classical.

 (Final student concert at the IASJ Meeting Graz)

I’m a firm believer in the teaching of craft despite the constant decrying of the amount of musicians being turned out by jazz schools. As far as the (incredibly inaccurate) received wisdom goes, jazz schools are anti-creativity and have a negative effect on the jazz scene. Bullshit. Jazz schools are, in my opinion, like Architecture schools – they teach a high level craft in a milieu which is also artistic. In architecture, most architects spend their professional lives designing functional buildings, some of which will be artistic, some less so. Occasionally brilliant architects will appear and their creations definitely occupy the artistic realm. But the architecture schools are not responsible for which of their students are more creative and artistic. All they can do  – is teach the craft of architecture, teach and show the history and work of great  architecture, and hopefully teach and inspire a new generation of great architects. But even if an architect only ends up designing a post office, they still need the craft level to make sure that the ceiling doesn’t come down on the head of a customer!

Similarly jazz schools should teach the craft of jazz (and related musics  as desired), introduce the students to the rich creative history of the music, encourage students towards creative goals and provide them with an environment in which they can fully benefit from both the knowledge and experience of the teachers and the creative energy of their fellow students.  A school that teaches high level craft, encourages creativity and supports a strong musical community is something to be proud of, not something to be slightly ashamed of just because some jazz critics, who don’t know their arse from their elbow, make brainless pronunciations on the negative impact of jazz schools.

 (Countryside outside Graz)

Anyone who attended the last IASJ meeting (or any jazz camp, workshop, summer school or similar) would attest to the happiness and excitement of the young musicians who attended, and could attest to the high level playing skills displayed by all of them. How could this joy in playing together and high achievement in performance be a bad thing? Some critics say that only the most talented and creative should be educated – but who is going to choose who has the benefit of an education and who doesn’t? The critics? Jesus, the day that happens we might as well all pack up and go home…………

Entitlement..........

Another thing that was discussed at this meeting, (mostly informally among the teachers), was the sense of entitlement among many students these days…… There definitely seems to be a trend towards the idea that a student deserves a high grade regardless of the effort put in. There’s no doubt that in this time of instant gratification the connection between effort and reward is less understood than ever before. In a field like jazz, where there are no shortcuts to high level achievement, there is no substitute for hard work, single-mindedness, and dedication. But more and more, we in the schools are starting to see a greater unwillingness among some students to put in the flying hours necessary to become an international standard jazz musician. Yet we are facing demands from these same students for high grades which they clearly haven’t earned. A sign of the times I think….. I hasten to add that not all students are like this, but there’s definitely a growing trend in this direction.

And the delusions of some of these students about how the music world works is not helped by the attitudes of some teachers and administrators whose indulgence of students, regardless of achievement, are bound to feed into the idea that you can be half-hearted about your commitment to the music and yet achieve a high standard of achievement. I heard one administrator recently, (at a different meeting to the IASJ), say that our job was to ‘get out of the way of the students’. Really? If a student really wants teachers out of his or her way, then surely the best way would be not to come to the school in the first place? If a student comes to a school, they should be there for the following reasons:

1 To be in a community of musicians

2 To take part fully in the musical life of that community

3 To take all they can from the experience and knowledge of the school’s teachers

The school’s job is:

1 To provide a place where this community of musicians can flourish

2 To provide an environment where creativity, craft and high achievement is valued among both students and teachers

3 To give the students the benefit of the experience and knowledge of the teachers

I didn’t come through the jazz school system myself, yet I am completely a believer in the value of these schools. Of course they’re not perfect – in the same way that democracy has its flaws but is the best system we’ve got. The community of musicians around which musicians learnt their craft in previous times, doesn’t really exist any more. Until or unless something better comes along, the best way to get the information you need as an aspiring young jazz musician is to go to a good school and partake of the life there -  for a while at least.

Here's an example of what great things young musicians can do when given the kind of opportunities attending a jazz school can bring. This is a student concert from last year's IASJ meeting in Sao Paulo

Barry Donohue's 'Anti-Matter' at the IASJ... by NewparkMusic

[Single] T-ARA - Day By Day

Pagi yang indah, disaat mataku tak ingin terpejam. lagu ini adalah pelipur lara bagiku. Terdengar sangat mendayu ditelinga, diselingi dengan keindahan suara dari mereka. Walaupun sekarang mereka tidak bertujuh lagi (alias nambah dua orang), bagiku mereka tetap terbaik. Cantik sering tersiksa tapi jago banget berdisco (abaikan dan kapan mereka istirahat??) bagi yang suka dan sangat terkesan dengan mvnya yang dahsyat itu silahkan dinikmati.

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Naepumeun neoege pinancheo dareun sarame naneun beoryeojyeo
Pelukanku adalah benteng buatmu, aku terbuang oleh yang lain
Sarang geu kkeuteun kkaman teoneolsok boiji anneun giri naneun neomu duryeowo
cinta- aku tak dapat melihat akhir dari terowongan gelap itu aku ketakutan
Taeyangi naerijjoeneun bureun samakcheoreom mokmalra ugo itneun saramcheoreom
seperti padang pasir yang terbakar mentari, seperti seorang yang menagis karena kehausan
Kiss me ma baby i bami gagijeone naege eoseobbalri day by day
ciumlah aku sayang, sebelum malam ini berakhir, cepatlah, bagiku, hari demi hari

Ni pumi geuriwojyeo neomu sarang haetnabwa
kurindukan pelukamu, kuyakin kumerindukanmu
I bami jinagamyeon nunmuldwieo dok!Dok!Dok!
Ketika malam ini berlalu, hanya menjadi air mata yang terseka -tok tok tok
Jeo eunbit dari jimyeon sarajilkka.. Ajik namaitneun ni hyanggi
jika bulan perak itu terbenam akankah menghilang. Wangimu yang masih teringat?
Kkumgatdeon chueokdeuldo heuteojilkka…bitmulcheoreom meolri dok! Dok!Dok!
akankah mimpi-seperti kenangan juga akan tercerai berai? Seperti hujan, jauh, tok tok tok

*Kiss me baby i’ll must be stay here day by day
ciumlah aku sayang aku harus tinggal disini hari demi hari
Saranghandago soksagyeojwo
berbisiklah bahwa kau mencintaiku
Kiss me baby just you can take me day by day
Ciumlah aku sayang hingga kau dapat membawaku hari demi hari
Nae nunmuri mareugi jeone
sebelum air mataku mengering

**(ddururururururu ddurudu)
Baram cheoreom modu sarajyeo beorin neo
seperti angin, kau menghilang
(ddururururururu ddurudu)
Haruharu neol geurimyeo day by day
Hari demi hari, aku merindukanmu, hari demi hari

Seuchineun chueokdeuri geuriun bam deulryeoohneun neoeui moksori
malam ini, kenangan lama mnyelimutiku, kumendengar suaramu
Yeongwoneul yasokhaetdeon sumaneun bam nunmuldwieo dok!Dok!Dok!
Malam - malam yang tak terhitung setelah janji kebersamaan kita, telah menjadi airmata, tok tok tok

*Ulang

**Ulang

Ddeonaganeun ni moseup ni saenggage ddo nunmuri heulreo
pikiran tentang kepergianmu, sekali lagi menitikkan air mataku
Doraondago malhaejwo urisarang yeongwonhidorok
kumohon katakan padaku jika kau akan kembali jadi cinta kita dapat bersama selamanya..

Rap
Neon nareul dugo gara jeo meolri meolri gil ddara sarajyeo
kau meninggalkanku dan pergi sangat jauh, mengikuti jalan itu da menghilang
Michin sarangkkeut aseulhan nang ddeoreoji jilgin sarange gamyeomdwae gyesokddeoreotji
diakhir cinta yang menggila ini ada jurang yang berbahaya, aku tercemar cinta yang sulit dan tak berhenti gemetar
Seulpeun sireul eulpeodaeneun nae ipsuri neoeui kkaman nundongjae gieokdwiri
kuharap bibirku membacakan puisi sedih ini akan teringat di mata hitammu
Kiss me ma baby i bami gagijeone naege eoseokbbalri day by day
ciumlah aku sayangku, sebelum malam ini berakhir, cepatlah, bagiku, hari demi hari

Kiss me baby i’ll must be stay here day by day
ciumlah aku sayang aku harus tinggal disini hari demi hari
Seulpeujiman neoreul jiulrae
ini menyedihkan tapi aku akan menghapusmu
Kiss me baby just you can take me day by day
Ciumlah aku sayang hingga kau dapat membawaku hari demi hari
Nae nunmuri mareugi jeone
sebelum air mataku mengering

kiss me baby take me day by day
ciumlah aku sayang bawa aku hari demi hari.

Source : kpoplyrics.net
shared by: Rizky @pelangiofmusic.blogspot.com
Update: 20 July 2012

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[Single] Infinite - The Chaser

Lagu yang bertempo cepat dan ingin membuat kita bergoyang saat mendengarnya ini memang patut di dengarkan . Kita seakan dibawa ke negeri Cina untuk mengejar sesuatu yah. Sesuai dengan lagunya yg manunjukkan keinginan seorang pria yang tidak menyerah mengejar cintanya walaupun telah pergi!!!! Kalian harus punya.

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Mianhae ma dokhage nal beorigo ttenado dwae Jangan meminta maaf kau bisa saja tidak memperdulikanku dan pergi
Niga wonhandamyeon geurae good bye
jika itu yg kau inginkan, baiklah selamat tinggal
Heona nae mamkkaji jeobeungeun anya
Tapi bukan berarti aku telah menyerah
Nae sarangi igyeo
cintaku yang menang

Aiya meonjeo ga eogiya diyeoracha
iya kau yang pertama pergi
Eogiyadia dwechajeulkkeoya
Eogiyadia` aku akan memenangkannya lagi
Jamshiya apseodo neol ttara jabeuri nan
walaupun kau menghindar sebentar, aku kan menangkapmu

Geunyeoreul jikyeora nal itji mothage
melindunginya, hingga dia takkan melupakanku
Nae nimi gyeshin got kkeutkkaji garyeonda
aku akan berjuang hingga akhir merebut tempat dimana aku seharusnya berada

Rap
Ijeoberyeo ibyeol-ui mal ape
Melupakan semua kata Perpisahan.
Meomchwoganeun gaseum chigo mureup kkeurobon na
ku berlutut dan jantungku berhenti berdetak karena kata itu
Kkeojyeoberyeo sseokkeun jangjak gateun seulepume
pergilah, kumenarik diriku tenggelam dalam kesedihan

seperti kayu bakar yang membusuk
Shikeun ne mami wae ajik nae maeumeul
mengapa hatimu yang dingin membuat hatiku
Mae-il seolleigo hemaege haneunji
memburu dan terhanyut tiap harinya
Georeobonda sarange nal gutge mandeulji Tto
Menyebut namamu, membuatku kuat dengan cinta

aiya meonje ga eogiya diyeoracha
sekali lagi cantik kau yg pertama pergi eogiya diyeoracha
Eogiyadiya dwechajeulkkeoya
Eogiyadiya' aku akan memenangkannya kembali
Jamshiya apado kyeolgugen useuri nan
meskipun akan sedikin menyakitkan, ku kan tersenyum sekali lagi

Geunyeoreul jikyeora nal itji mothage
melindunginya, hingga dia takkan melupakanku
Nae nimi gyeshin got kkeutkkaji garyeonda
aku akan berjuang hingga akhir merebut tempat dimana aku seharusnya berada

Georireul jophyeora nae sone jabhige
Cukup dekat hingga ku bisa menangkapmu
Nae nimeul chajaseo nae jeonbul geollyeonda
aku akan mengorbankan segalanya tuk menemukan "milikku"

Rap
Geurae na dokhan mameuro neol beoriryeo haesseo
benar aku menjatuhkanmu dengan hati yg penuh kebencian
Aesseo bonneungeul jitbalba beorimyeo
Seakan - akan menginjak naluriku sendiri
Heuryeojin neo-e daehan jibchak ttohan da
keinginanku terhadapmu menjadi lenyap
Sarangira naebaetneun nan
dan kuundang kembali seluruh cintaku sekali lagu
Tto dojeohi neol nohjido kkeunjido mothae oneuldo
sekali lagi hari ini, aku tak dapat melepasmu atau menghapusmu
Mwonga-e hullin deut nunga-e maetjin neoreul jjocha
aku seperti tersihir, aku memburumu yang selalu terbayang dimataku

Mianhae girl jeoldae
maafkan aku cantik, Aku tak
Neoran kkeuneul nohji aneullae
pernah mau melepaskan kata -kata yg kuucap untukmu
Naega ni mam dollilkkeoni kwenchana
tidak masalah karena kau kan memebuat hatimu berpaling padaku lagi
Gaseum jwi ddeutgyeodo byeolgeo anya
bukan masalah meskipun hatiku harus hancur berkeping.

Geunyeoreul jikyeora nal itji mothage
melindunginya, hingga dia takkan melupakanku
Nae nimi gyeshin got kkeutkkaji garyeonda
aku akan berjuang hingga akhir merebut tempat dimana aku seharusnya berada

Nae mami geureohji hanaman araseo
Hatiku memang seperti itu hanya tahu satu hal
Kkeokkgigo apado neol sarang haryeonda
jadi meskipun luntur dan terluka tapi akan tetap mencintaimu

Mianhae ma dokhage nal beorigo ttenado dwae
Jangan meminta maaf kau bisa saja tidak memperdulikanku dan pergi
Niga wonhandamyeon geurae good bye
jika itu yg kau inginkan, baiklah selamat tinggal
Heona nae mamkkaji jeobeungeun anya
Tapi bukan berarti aku telah menyerah

source: kpoplyrics.net
shared by : Rizky @pelangiofmusic.blogspot.com

ヽ(○´∀`)ﾉ♪

[Single] Super Junior - Sexy, Free & Single

Hot hot hot itu yang tergambar di otak saat pertama melihat MV yang satu ini. Banyak kata sexy, hot pula yang bikin otakku jadi mengarah ke banyak hal padahal arti dari lagunya beda jauh hehehe. Secara pribadi aku memang nungguin album ini makanya walau harus pusing saat bikinnya aku rela buat oppa - oppa SuJu yang bening - bening kenapa tidak??? So enjoy guyss!!!

Every single day i try jeongmal geoui da wasseo
setiap hari aku mencoba, Aku benar-benar hampir sampai
We get closer to a good time siryeondeure say goodbye.
Makin dekat dengan waktu baik, tuk mengatakan selamat tinggal pada Kesukaran.

Sexy, free & single ije junbineun wallyo.
Seksi, bebas dan lajang sekarang persiapan sudah sempurna
Sexy, free & single i’m ready too, bingo
Seksi, bebas dan lajang aku siap tuk Bingo.

Hei! Nuguna swipsari gatneun geon jaemieobtjanha
hei! Ini tidak menyenangkan lagi jika Kau melaluinya dengan mudah
Jom deo nopge, sege rararararara
sedikit lebih tinggi, lebih kuat la la la la la la
Wieseo bwa. Gyeondyeonaen jaga kkaedatge doeneun geot
Lihat keatas. Semua mulai jelas bagi siapapun yang sanggup menahannya
jom deo beotyeo, beotyeo rararararara
bersabarlah, bersabarlah sedikit lagi la la la la la la

Nae sarama, sarama nal deo mideojwo.
Orang-orang sekalian percalah padaku
Nan deudieo wake up sumyeonwiro
akhirnya aku sadar Dari mimpiku
Gin siryeone deo gipeojyeo nadawojyeo.
Menjadi lebih mengerti, lebih menjadi diriku setelah perjuangan panjang
Ijen upgrade daeum dangyero naga o-
Kini kubersiap Pada tahap berikutnya yang lebih sulit Oh-

*Sumi chage dallyeowa meotjige kkeutnaen geudae have a good time
oneulmankeum party time.
berlari hingga kehabisan nafas, kau yang sangat keren, nikmatilah hari ini adalah pesta dihari ini.
Gaseumi yodongchineun seungnireul mat bwa ijeneun have a good time nuga geudael makgenna? O-
Merasakan Kemenangan yang mengguncang hatimu, sekarang kita memiliki waktu yang tepat. Siapa yang akan menghentikanmu? Oh

Sexy, free & single i’m ready too, bingo
Seksi, bebas dan lajang aku siap tuk Bingo.
Sexy, free & single i’m ready too, bingo
Seksi, bebas dan lajang aku siap tuk Bingo.
Yeoksi bullihan hwangnyure matseo geomnaeji malgo
Jika kau berdiri disaat yang tidak menguntungkan, janganlah takut
Yeoksi bullihan hwangnyureun kkeutdo an bwado bingo
Meskipun ketika kesempatan yang tidak menguntungkan tak kunjung berakhir, bingo

Mugeopdago, museopdago pogihajineun ma
jangan menyerah dengan mengatakan hal yang berat dan menakutkan
ijebuteoga jinjja nananananana
ini hal yang nyata mulai saat ini nananananana
Nuguna hanbeonjjeum da gyeokkeo boneun geotppun
Ini adalah suatu pengalaman yang akan dirasakan sekali
we fail, we lose, to win duryeowohaji mara
Kita gagal, kita kalah janganlah takut

Nae sarama, sarama nan deo ganghaejyeosseo.
Orang-orang sekalian kini aku menjadi lebih kuat
Yeah! Deudieo uri time for romance.
Yeah!! Akhirnya ini waktu kami untuk mencinta.
Deo meotjin kkumeul hyanghae tto naragagesseo.
Sekali lagi aku akan terbang menuju mimpi yang lebih besar
Dasi upgrade jikyeobwa, matgyeobwa.
Perbaikan lebih, lihat aku, percayalah

Nan jeomjeom daedamhae jineungeol. Sexy, sexy, sexy
aku akan lebih lebih berani. Seksi, seksi, seksi.
I geochin sesangeul maju han chae too hot-
Saat mengahadapi kerasnya dunia ini. Sangat panas
Junbidoen jaman aneungeol. Sexy, sexy, sexy
Sesuatu yang hanya yang sudah tahu. yang tahu. Seksi seksi, seksi
Yeogin kkeutdo eomneun byeonsumankeum have fun 3. 2. 1 go!
sebanyak perhitungan yang tak terbatas yang ada, bersenang - senanglah 3, 2, 1 mulai!

*Ulang

Sexy, free & single nan jom gwaen cha neun nam ja
Seksi, bebas dan lajang aku pria yang baik
Sexy, free & single neon jom dae dan han nam ja
Seksi, bebas dan lajang Diriku adalah pria yang menakjubkan
Yeoksi bullihan hwangnyure matseo geomnaeji malgo
Jika kau berdiri disaat yang tidak menguntungkan, janganlah takut
Yeoksi bullihan hwangnyureun kkeutdo an bwado bingo
Meskipun ketika kesempatan yang tidak menguntungkan tak kunjung berakhir, bingo

I sesang kkeuteseo tto han beon sumeul dolligo
diakhir dunia ini, akan kucoba bernafas lagi
Nal jikyeojun saram sojunghan mideumeul ganjikhae gidaehaedo joha. Let’s go!
Aku menghargai kepercayaan berharga dari orang yang memperhatikanku, jadi aku mengantisipasi. Mari kita mulai!

Sexy, free & single i’m ready too, bingo
Seksi, bebas dan lajang aku siap tuk Bingo.
Sexy, free & single i’m ready too, bingo
Seksi, bebas dan lajang aku siap tuk Bingo.

*Ulang

Sexy, free & single i’m ready too, bingo
Seksi, bebas dan lajang aku siap tuk Bingo.

Source :kpoplyrics.net
shared by: Rizky @pelangiofmusic.blogspot.com

ヽ(○´∀`)ﾉ♪