Seattle composer/pianist Keith Eisenbrey continues his tour through the Prelude cycles of Seattle composers Ken Benshoof, Greg Short, and Lockrem Johnson. In addition he will perform the entirety of his own cycle of 24 Preludes for Piano (2009 - 2011).
Eisenbrey brings to his pianism a composer's imaginative musical understanding, and to his composition a mysterious and majestical whimsy. Cerebral and sensuous, remorselessly speculative, his music seeks to illuminate those most intimate of our personal spaces: the silences across which, in which, and out from which music, thought, and utterance unfold. His oeuvres includes solo pieces for various keyboards, songs, and chamber works. He studied composition with Dell Wade, Ken Benshoof, John Rahn, and Benjamin Boretz, and piano with Victor Smiley, Joan Purswell, and Neal O'Doan. He is a charter member of The Barrytown Orchestra, an interactive music-making ensemble based in Barrytown, New York, and is a co-founder of Banned Rehearsal, an ongoing argument in creative musical expression, now in it’s 29th year. His critical and theoretical work has appeared in Perspectives of New Music, News of Music, and Open Space, and he assisted in the editing of Boretz’s Meta-Variations: Studies in the Foundations of Musical Thought for its republication.